BEGIN:VCALENDAR VERSION:2.0 PRODID:-//EuroSEAS 2021//EN X-WR-CALNAME:EuroSEAS 2021 BEGIN:VTIMEZONE TZID:Europe/Prague X-LIC-LOCATION:Europe/Prague BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 DTSTART:19700329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 DTSTART:19701025T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTAMP:20241222T031400 UID:euroseas-2021-streaming-the-tradition-court-and-grassroots-performing-arts-in-yogyakarta-during-the-pandemic SUMMARY:(P61) Streaming the Tradition: Court and Grassroots Performing Arts in Yogyakarta during the Pandemic LOCATION:K12 | 2.03 DESCRIPTION:Present-day Java maintains a remarkable variety of traditional performing arts that are still alive and practiced today. Theatrical and mu sical, puppet and trance performances are held for various occasions, from national and religious holidays to family celebrations. Even during the pan demic, when large social gatherings were restricted, traditional performers did not abandon their vocation and employed internet and variousstreaming platforms (mainly Facebook, YouTube and Instagram) to share their art, crea tively express their longing for the things going back to normal, but also address the issues directly connected to the pandemic.\n\nWhile the use of social media for advertising (and, occasionally, streaming) traditional per formances (on both court and village levels) was not entirely unprecedented , the circumstances of 2020 have clearly contributed to the significant acc eleration of this trend. Following it, this panel aims to bring together sc holars researching traditional arts in the Special Region of Yogyakarta who were forced by the pandemic to move their research into virtual space. In the era known as jaman now (‘the time of now’), many wayang kulit puppeteer s have already started to adopt live streaming on their personal YouTube ch annels or in cooperation with other channels with the aim of reaching large r audiences. Especially during the pandemic, some of the most famous dalang s went a step further by inventing new formats such as wayang elektrik and wayang climen to meet the new demand for online performances and to gain ‘f ollowers’. Increased use of social media has reached even the ‘highest sphe re’ of Javanese culture – the court\narts. Court dance and gamelan sessions as well as ‘backstage’ documentaries have become fertile grounds for promo ting the use of masks and sanitary protocols thanks to the Instagram visibi lity of the Yogyanese royal family. Even in case of jathilan trance dance, which in the past might have been a target of criticism for its chaotic and unruly nature, the emphasis on compliance with the new health rules has co me to the fore, with face coverings, sanitizer bottles and disinfectant spr ayers occasionally replacing traditional props and attributes.\n\nCollectiv ely, this panel’s presentations intend to outline how performing traditions with different historical, cultural and even class connotations enter the common leveled playing field of the Web and search for their place and stra tegy in this mostly uncharted territory URL:https://euroseas2021.org/panels/streaming-the-tradition-court-and-grassroots-performing-arts-in-yogyakarta-during-the-pandemic DTSTART;TZID=Europe/Prague:20210908T090000 DTEND;TZID=Europe/Prague:20210908T103000 END:VEVENT END:VCALENDAR