BEGIN:VCALENDAR VERSION:2.0 PRODID:-//EuroSEAS 2021//EN X-WR-CALNAME:EuroSEAS 2021 BEGIN:VTIMEZONE TZID:Europe/Prague X-LIC-LOCATION:Europe/Prague BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 DTSTART:19700329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 DTSTART:19701025T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTAMP:20241123T090200 UID:euroseas-2021-queer-web-series-in-south-east-asia SUMMARY:(P49) Queer Web Series in South East Asia LOCATION:K10 | 3.39 DESCRIPTION:The web series format is increasingly recognised for the new op portunities it offers creative workers to produce niche content long neglec ted by traditional or legacy broadcasters. Web series - scripted or non-scr ipted video in episodic format accessible via the internet - share certain characteristics with television series and can range over various genres in cluding\nsketch, drama, comedy and vlog. However, academic studies have hig hlighted a number of differences in terms of production techniques, subject matter and particular structuring, whereby it is not enough to simply char acterise web series as television watched online on a computer. These devel opments have opened up spaces for marginalised and niche groups\nto create, produce and consume content traditionally excluded from legacy networks. W hile this exclusion is characteristic of traditional television in many par ts of the world, exclusion is often specifically accentuated in South East Asian due to strict regimes of censorship and government regulation, which has particular impact on the queer creatives and audiences.\nThe recent nom ination of the Singaporean series People Like Us for an International Emmy, and the large audiences for the 2012 Vietnamese series My best gay friends , and the strong following for the Indonesian series Conq are just three ex amples of the range of queer web series being produced in South East Asia.\ n\nThe academic study of web series from South East Asia is still in its in fancy, despite the large audiences series can attract and the cultural and commercial potential offered by the format. Studies of queer series from th e region are even fewer, though the burgeoning queer content being produced across the region is evidence of the value of the format for creatives mar ginalised or excluded by legacy TV. This panel invites papers which address the variety of queer web-series now being produced in South East Asia. We are particularly interested in papers that address queer representation in all kind of web series (for example; web series that engage with health and well-being (HIV, Covid-19, Mental Health, Sexual Health, boy love series, coming out narratives and youth dramas with a strong if not exclusive focus on queer characters). We are also interested in papers focused on industry , production, sponsorship and screening platforms and how these provide spa ce for queer content. Studies which take an audience studies or fandom appr oach will also be welcomed. We are particularly interested in papers that t ake a region wide approach, or which focus on web series from Vietnam, Laos , Cambodia or the Philippines. URL:https://euroseas2021.org/panels/queer-web-series-in-south-east-asia DTSTART;TZID=Europe/Prague:20210910T153000 DTEND;TZID=Europe/Prague:20210910T170000 END:VEVENT END:VCALENDAR