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X-WR-CALNAME:EuroSEAS 2021
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DTSTAMP:20240425T102100
UID:euroseas-2021-dis-locating-kababayan-unstable-communities-in-global-philippine-art-and-visual-culture
SUMMARY:(P24) (Dis)locating Kababayan: Unstable Communities in Global Philippine Art and Visual Culture
LOCATION:K12 | 1.12
DESCRIPTION:The imagining of a national community expediently homogenized p
 eople, linearized time, and reconfigured language in the late 19th- to earl
 y 20th-century Philippines. The Tagalog word “bayan” (town), the center of 
 power, for example, superseded vernacular designations of the periphery suc
 h as “bukid” (farm or countryside) and assumed the\nequivalent translation 
 of the modern ‘nation-state’ or, ironically, ‘country.’ But what happens wh
 en diaspora has reconfigured the ideological notion of “bayan” and the reci
 procal framework of “kababayan” (someone who belongs to the same nation)? I
 nterestingly, the interpellation of “kababayan” often occurs when Filipinos
  have left the\n“bayan.” “Kababayan,” therefore, exists in relation to loss
  and otherness precisely in an attempt to establish instant kinship outside
  the unstable “bayan.” With approximately 12 million Filipinos living abroa
 d across 100 countries and often through multiple generations, this panel a
 ims to problematize and accommodate the changing spatiotemporal\ncontexts t
 hrough which art and culture are produced inside and outside the Philippine
 s. Engaging in a transdisciplinary discourse to represent differing notions
  of “bayan” that is perpetually in flux, lacking singularity, and existing 
 between forms and meanings rather than a nostalgic gaze towards a defunct p
 lace and time, the panel seeks papers that explore instability, ambiguity, 
 and suspension as the defining characteristics of global Philippine art and
  visual culture.
URL:https://euroseas2021.org/panels/dis-locating-kababayan-unstable-communities-in-global-philippine-art-and-visual-culture
DTSTART;TZID=Europe/Prague:20210908T090000
DTEND;TZID=Europe/Prague:20210908T103000
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